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Lonely Voice (Papermacs), by Frank O'Connor
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- Format: Import
- Original language: English
- Binding: Paperback
- 224 pages
Most helpful customer reviews
9 of 10 people found the following review helpful.
A classic, and a wicked fun read
By K. Bunker
Since this little volume first appeared in 1963, there probably hasn't been a single book written on the topic of the short story that doesn't make some mention of it.
O'Connor was a noted short story writer in his own right as well as an essayist and literary critic. His central premise in this book, that short stories tend to arise out of "submerged populations" (i.e., minority groups, immigrants, etc.) may not have gained wide acceptance in academic circles, but that doesn't diminish the interest or the charm of this book in the least. It's a thoroughly fascinating examination of the short story as an art form, and a rollicking fun read to boot.
Much of the "fun" part comes from O'Connor's unabashed and delightfully expressed opinions. Here he is on one of Ernest Hemingway's short story classics:
"In 'The Short Happy Life of Francis Macomber' Francis runs away from a lion, which is what most sensible men would do if faced by a lion, and his wife promptly cuckolds him with the English manager of their big-game hunting expedition. As we all know, good wives admire nothing in a husband except his capacity to deal with lions, so we can sympathize with the poor woman in her trouble. [...] To say that the psychology of this story is childish would be to waste good words. [...] Clearly, it is the working out of a personal problem that for the vast majority of men and women has no validity whatever."
This may not represent the consensus opinion on Hemingway's story, but what fun it is to see someone stand up to the old pugilist and tweak his nose!
This is not to say that all of O'Connor's comments are snarky; he freely calls other Hemingway stories works of genius. And he bubbles over with enthusiasm when discussing many, many other authors as well. For example, regarding two Chekhov stories, "The Dependents" and "Misery," he says:
"Never in the history of literature has human loneliness been described with such passion as in these two stories."
Speaking of passion, it's clear that O'Connor has a tremendous and joyful love for the short story. Read this book for the pleasure of hearing a true artist practicing his art as he speaks about his chosen art form.
4 of 4 people found the following review helpful.
It is literary theory at its best, intelligent
By VFP
This is a classic study of the short story. It is literary theory at its best, intelligent, insightful and yet readable. This is not a book on how to write short stories rather it is a exploration and study of the genre.
1 of 1 people found the following review helpful.
Five Stars
By Bill Hughes
Highly recommended for all lovers of the short story. O'Connor was a gift from Ireland.
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