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Likeness and Presence: A History of the Image before the Era of Art, by Hans Belting
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Before the Renaissance and Reformation, holy images were treated not as
"art" but as objects of veneration which possessed the tangible presence
of the Holy. In this magisterial book, Hans Belting traces the long
history of the sacral image and its changing role in European culture.
Likeness and Presence looks at the beliefs, superstitions, hopes,
and fears that come into play as people handle and respond to sacred
images, and presents a compelling interpretation of the place of the
image in Western history.
"A rarity within its genre—an art-historical analysis of iconography
which is itself iconoclastic. . . . One of the most intellectually
exciting and historically grounded interpretations of Christian
iconography." —Graham Howes, Times Literary Supplement
"Likeness and Presence offers the best source to survey the facts of
what European Christians put in their churches. . . . An impressively
detailed contextual analysis of medieval objects." —Robin Cormack,
New York Times Book Review
"I cannot begin to describe the richness or the imaginative grandeur of
Hans Belting's book. . . . It is a work that anyone interested in art,
or in the history of thought about art, should regard as urgent reading.
It is a tremendous achievement."—Arthur C. Danto, New Republic
- Sales Rank: #989147 in Books
- Published on: 1997-01-15
- Original language: English
- Number of items: 1
- Dimensions: 9.38" h x 1.70" w x 6.63" l, 2.76 pounds
- Binding: Paperback
- 676 pages
From Library Journal
The icon, a representation of an early saint or religious personality, has a complex history. Belting, a professor of art history at the University of Munich who has authored several books on art history (e.g., Image & Its Public in the Middle Ages, Caratzas, 1989), focuses not on the art but the application and interpretation of the icon, offering a detailed examination of its use in early Christianity. The scholarship is excellent, but the book is not for the casual reader. The writing is complicated and difficult to follow, with an in-depth understanding of early Christian history assumed. The notes and appendix include pertinent quotes from medieval theologians. Recommended only for large academic libraries or special collections. (Illustrations and index not seen.)-Karen Ellis, Baldwin Boettcher Lib., Humble, Tex.
Copyright 1994 Reed Business Information, Inc.
Review
"I cannot begin to describe the richness or the imaginative grandeur of Hans Belting's book. . . . It is a work that anyone interested in art, or in the history of thought about art, should regard as urgent reading. It is a tremendous achievement." (Arthur C. Danto The New Republic)
"An opus magnum, one of those works of art history that can be counted among the books of the decade." (Oskar Bätschmann Neue Zürcher Zeitung)
Language Notes
Text: English (translation)
Original Language: German
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Renetta DeBlase
All of these books are references that I will read in the future.
3 of 5 people found the following review helpful.
A rare event
By paul
It does not happen very often that the lines of history are redrawn. Belting has done just this, not only about the past, but by very strong implication, about what is happening today. Is our current a-intentionalism a gateway into a new era of idolatry?
4 of 9 people found the following review helpful.
Revolutionized Art History
By Jolie311
One of the first art historians to take a look at art in its context and according to its function. It's a great read for those interested in art, culture and religion.
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